Reader
Enquiry |
Il
Maestro di Casa |
20
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Convivium
Banqueting |
21
|
Silvio
Salza |
22
|
Chez
Vous |
23
|
Relais
El Toulà Italia |
54
|
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Linen,
candles, cutlery and glasses - just the basic elements for
eating, you might think, but even these are subject to passing
trends and changes in tastes.
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The
art of banqueting dates back as far as the prehistoric era,
when the simple act of eating was transformed into both a social
event and a public show of power, and its importance continues
today. At formal events like company meetings, it is the perfect
moment for developing interpersonal relationships in a more
relaxed environment, and it is the tables themselves that give
that extra touch to the occasion, or even decide the outcome
of a meeting. |

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But
as fashions change so does table style, so to draw up some
guidelines on the art of table dressing we spoke to some experts,
who have reinterpreted the latest trends and combined them
with their own inspiration.
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One
of the most imaginative catering organisations is Il Maestro
di Casa, headed by Melania Sala, who has designed "disposable"
tableware in coloured plastic. Nicola Sciorra of Convivium
Banqueting also speaks of breaking with the past and overturning
all standards, recommending unusual colour combinations and
trays made out of coconut leaves, whereas Silvio Salza,
owner of the Pisa-
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based
company Federico Salza, is more traditional, and favours marquees
and candlelight. Big centrepieces are given the thumbs-down
by Piero Fumarola of Chez Vous, who enlivens the table
with seasonal fruit, while Nicoletta Nobili of El Toulà
believes that the general trend is towards the style of the
old aristocratic families, who used only the finest materials.
One person who misses the old traditions is Count Orazio Zanardi
Landi, owner of the Castello di Rivalta in Emilia Romagna.
He believes that elegance has been neglected in favour of
fashion, and that the art of presenting food has been lost.
So, it seems that anything goes, as long as it is all done
with taste and moderation.
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